Pablo Picasso
Pablo Picasso
Pablo Ruiz y Picasso, also known as Pablo Picasso, was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Regarded as one of the greatest and most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are...
NationalitySpanish
ProfessionPainter
Date of Birth25 October 1881
CityMalaga, Spain
CountrySpain
You see these thick curtains shut out the daylight: artificial light suits me a great deal better; it's absolutely steady, and much more exciting.
The only pictorial matter that is of interest to me is the matter and sentiments brought about by the work itself.
Let them understand above all that the artist works from necessity; that he, too, is a minute element of the world to whom one should ascribe no more importance than so many things in nature which charm us but which we do not explain to ourselves.
Why should I copy this owl, this sea urchin? Why should I try to imitate nature? I might just as well try to trace a perfect circle.
Today we haven't the heart to expel the painters and poets from society because we refuse to admit to ourselves that there is any danger in keeping them in our midst.
The goal I proposed myself in making cubism? To paint and nothing more... with a method linked only to my thought... Neither the good nor the true; neither the useful nor the useless.
People don't realize what they have when they own a picture by me. Each picture is a phial with my blood. That is what has gone into it.
The Parthenon is really only a farmyard over which someone put a roof; colonades and sculptures were added because there were people in Athens who happened to be working and wanted to express themselves.
Each time I undertake to paint a picture I have a sensation of leaping into space. I never know whether I shall fall on my feet. It is only later that I begin to estimate more exactly the the effect of my work.
To model an object is to possess it.
I understand my own pictures best six months after I have done them.
Computers are stupid.
I want to get to the stage where nobody can tell how a picture of mine is done. What's the point of that? Simply that I want nothing but emotion given off by it.
In the end there is only Matisse.