Rabindranath Tagore
Rabindranath Tagore
Rabindranath Tagore FRAS, also written Ravīndranātha Thākura, sobriquet Gurudev, was a Bengali polymath who reshaped Bengali literature and music, as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of Gitanjali and its "profoundly sensitive, fresh and beautiful verse", he became the first non-European to win the Nobel Prize in Literature in 1913. In translation his poetry was viewed as spiritual and mercurial; however, his "elegant prose and magical poetry" remain largely unknown...
NationalityIndian
ProfessionPoet
Date of Birth7 May 1861
CityKolkata, India
CountryIndia
In the drowsy dark cave of the mind dreams build their nest with fragments dropped from day's caravan.
There is a point where in the mystery of existence contradictions meet; where movement is not all movement and stillness is not all stillness; where the idea and the form, the within and the without, are united; where infinite becomes finite, yet not losing its infinity. If this meeting is dissolved, then things become unreal.
The echo mocks her origin to prove she is the original.
Things in which we do not take joy are either a burden upon our minds to be got rid of at any cost; or they are useful, and therefore in temporary and partial relation to us, becoming burdensome when their utility is lost; or they are like wandering vagabonds, loitering for a moment on the outskirts of our recognition, and then passing on. A thing is only completely our own when it is a thing of joy to us.
The world puts off its mask of vastness to its lover. It becomes small as one song, as one kiss of the eternal.
The significance which is in unity is an eternal wonder.
My heart, the bird of the wilderness, has found its sky in your eyes. They are the cradle of the morning, they are the kingdom of the stars. My songs are lost in their depths. Let me but soar in that sky, in its lonely immensity. Let me but cleave its clouds and spread wings in its sunshine.
Let it not be death but completeness. Let love melt into memory and pain into songs. Let the flight through the sky end in the folding of the wings over the nest. Let the last touch of your hands be gentle like the flower of the night. Stand still, O Beautiful End, for a moment, and say your last words in silence. I bow to you and hold up my lamp to light you on your way.
This principle of opposites is at the very root of Creation, which is divided between the rule of the King and the Queen; Night and Day; the One and the Varied; the Eternal and the Evolving.
I have observed, on board a steamer, how men and women easily give way to their instinct for flirtation, because water has the power of washing away our sense of responsibility, and those who on land resemble the oak in their firmness behave like floating seaweed when on the sea.
Blessed is he whose fame does not outshine his truth.
I touch God in my songas the hill touched the far-away seawith its waterfall.
God is neither manifest nor hidden; He is neither revealed nor unrevealed; there are no words to tell that which He is. He is without form, without quality, without decay.
Whatever character our theology may ascribe to him, in reality God is the infinite ideal of Man, towards whom men move in their collective growth, with whom they seek their union of love as individuals, in whom they find their ideal of father, friend and beloved.