Sandra Cisneros

Sandra Cisneros
Sandra Cisnerosis an American writer best known for her acclaimed first novel The House on Mango Streetand her subsequent short story collection Woman Hollering Creek and Other Stories. Her work experiments with literary forms and investigates emerging subject positions, which Cisneros herself attributes to growing up in a context of cultural hybridity and economic inequality that endowed her with unique stories to tell. She is the recipient of numerous awards including a National Endowment for the Arts Fellowship, and is...
NationalityAmerican
ProfessionNovelist
Date of Birth20 December 1954
CityChicago, IL
CountryUnited States of America
My weapon has always been language, and I've always used it, but it has changed. Instead of shaping the words like knives now, I think they're flowers, or bridges.
You can never have too much sky . You can fall asleep and wake up drunk on sky, and sky can keep you safe when you are sad. Here there is too much sadness and not enough sky. Butterflies too are few and so are flowers and most things that are beautiful. Still, we take what we can get and make the best of it.
We need to write because so many of our stories are not being heard. Where could they be heard in this era of fear and media monopolies? Writing allows us to transform what has happened to us and to fight back against what's hurting us. While not everyone is an author, everyone is a writer and I think that the process of writing is deeply spiritual and liberatory.
The world we live in is a house on fire and the people we love are burning.
I am a woman, and I am a Latina. Those are the things that make my writing distinctive. Those are the things that give my writing power.
You don't want somebody who doesn't know his own heart, do you? You'll find someone who's brave enough to love you. Someday. One day. Not today.
The truth has a strange way of following you, of coming up to you and making you listen to what it has to say.
Revenge only engenders violence, not clarity and true peace. I think liberation must come from within.
I was silent as a child, and silenced as a young woman; I am taking my lumps and bumps for being a big mouth, now, but usually from those whose opinion I don't respect.
Generally if you're a daughter in a Mexican family, no one wants to tell you anything; they tell you the healthy lies about your family.
Write about what makes you different.
I usually say Latina, Mexican-American or American Mexican, and in certain contexts, Chicana, depending on whether my audience understands the term or not.
The older I get, the more I'm conscious of ways very small things can make a change in the world. Tiny little things, but the world is made up of tiny matters, isn't it?
The more you speak more languages, the more you understand about yourself. It's like being blind. You aren't less of a person, but you're missing out on wonderful things.