Sylvia Plath
Sylvia Plath
Sylvia Plathwas one of the most renowned and influential poets, novelists, and short story writers of the 20th century. Born in Boston, Massachusetts, she studied at Smith College and Newnham College at the University of Cambridge before receiving acclaim as a poet and writer. She was married to fellow poet Ted Hughes from 1956 until they separated in September of 1962. They lived together in the United States and then the United Kingdom and had two children, Frieda and Nicholas...
NationalityAmerican
ProfessionPoet
Date of Birth27 October 1932
CountryUnited States of America
I collect men with interesting names.
The more hopeless you were, the further away they hid you.
What a man wants is a mate and what a woman wants is infinite security.
I didn't really see why people should look at me. Plenty of people looked queerer than I did.
No, I won't try to escape myself by losing myself in artificial chatter 'Did you have a nice vacation?' 'Oh, yes, and you?' I'll stay here and try to pin that loneliness down.
I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant loosing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.
So you got rid of your astonishment that someone could write so much more dynamically than you. You stopped cherishing your aloneness and poetic differentness to your delicately flat little bosom. You said: she's to good to forget. How about making her a friend and competitor — you could learn alot from her. So you'll try. So maybe she'll laugh in your face. So maybe she'll beat you hollow in the end. So anyhow, you'll try, and maybe, possibly, she can stand you. Here's hoping!
The claw of the magnolia, drunk on its own scents, asks nothing of life.
The lyric abstrusities of Auden ring mystically down the circular canals of my ear and it begins to look like snow. The good gray conservative obliterating snow. Smoothing (in one white lacy euphemism after another) out all the black bleak angular unangelic nauseous ugliness of the blasted sterile world: dry buds, shrunken stone houses, dead vertical moving people all all all go under the great white beguiling wave. And come out transformed. Lose yourself in a numb dumb snow-daubed lattice of crystal and come out pure with the white virginal veneer you never had.
Cheers for spring; for life; for a growing soul.
There is a certain clinical satisfaction in seeing just how bad things can get.
If I have a dry spell ... I wait and live harder, eyes, ears, and heart open, and when the productive time comes, it is that much richer.
Nothing is real except the present, and already, I feel the weight of centuries smothering me. Some girl a hundred years ago once lived as I do. And she is dead. I am the present, but I know I, too, will pass. The high moment, the burning flash, come and are gone, continuous quicksand. And I don’t want to die.
Is to throw together events from my own life, fictionalizing to add color—it’s a pot boiler really, but I think it will show how isolated a person feels when he is suffering a breakdown . . . I’ve tried to picture my world and the people in it as seen through the distorting lens of a bell jar.