Ambrose Gwinett Bierce
Ambrose Gwinett Bierce
Ambrose Gwinnett Biercewas an American editorialist, journalist, short story writer, fabulist, and satirist. He wrote the short story "An Occurrence at Owl Creek Bridge" and compiled a satirical lexicon, The Devil's Dictionary. His vehemence as a critic, his motto "Nothing matters", and the sardonic view of human nature that informed his work, all earned him the nickname "Bitter Bierce"...
hill identity moon professor says tribes whom
LUNARIAN, n. An inhabitant of the moon, as distinguished from Lunatic, one whom the moon inhabits. The Lunarians have been described by Lucian, Locke and other observers, but without much agreement. For example, Bragellos avers their anatomical identity with Man, but Professor Newcomb says they are more like the hill tribes of Vermont.
barbarous commonly composed compound delight elementary ideas incapable literary man people sentiments tire words writes
MONOSYLLABIC, adj. Composed of words of one syllable, for literary babes who never tire of testifying their delight in the vapid compound by appropriate googoogling. The words are commonly Saxon --that is to say, words of a barbarous people destitute of ideas and incapable of any but the most elementary sentiments and emotions.The man who writes in Saxon Is the man to use an ax on --Judibras
commonly finger pointing
FOREFINGER, n. The finger commonly used in pointing out two malefactors.
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INTERREGNUM, n. The period during which a monarchical country is governed by a warm spot on the cushion of the throne. The experiment of letting the spot grow cold has commonly been attended by most unhappy results from the zeal of many worthy persons to make it warm again.
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GARGOYLE, n. A rain-spout projecting from the eaves of mediaeval buildings, commonly fashioned into a grotesque caricature of some personal enemy of the architect or owner of the building. This was especially the case in churches and ecclesiastical structures generally, in which the gargoyles presented a perfect rogues' gallery of local heretics and controversialists. Sometimes when a new dean and chapter were installed the old gargoyles were removed and others substituted having a closer relation to the private animosities of the new incumbents.
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ACCUSE, v.t. To affirm another's guilt or unworth; most commonly as a justification of ourselves for having wronged him.
employed instrument national
CANNON, n. An instrument employed in the rectification of national boundaries.
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SAINT, n. A dead sinner revised and edited. The Duchess of Orleans relates that the irreverent old calumniator, Marshal Villeroi, who in his youth had known St. Francis de Sales, said, on hearing him called saint: "I am delighted to hear that Monsieur de Sales is a saint. He was fond of saying indelicate things, and used to cheat at cards. In other respects he was a perfect gentleman, though a fool.
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ABSENTEE, n. A person with an income who has had the forethought to remove himself from the sphere of exaction.
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QUIVER, n. A portable sheath in which the ancient statesman and the aboriginal lawyer carried their lighter arguments.He extracted from his quiver, Did the controversial Roman, An argument well fitted To the question as submitted, Then addressed it to the liver, Of the unpersuaded foeman. --Oglum P. Boomp
adore altar ancient commands deity faith free god hand marketing men minister race reverence temple true whose woman women
ABDOMEN, n. The temple of the god Stomach, in whose worship, with sacrificial rights, all true men engage. From women this ancient faith commands but a stammering assent. They sometimes minister at the altar in a half-hearted and ineffective way, but true reverence for the one deity that men really adore they know not. If woman had a free hand in the world's marketing the race would become graminivorous.
calamities good misfortune others
Calamities are of two kinds: misfortune to ourselves, and good fortune to others
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AUCTIONEER, n. The man who proclaims with a hammer that he has picked a pocket with his tongue.
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FUNERAL, n. A pageant whereby we attest our respect for the dead by enriching the undertaker, and strengthen our grief by an expenditure that deepens our groans and doubles our tears.The savage dies --they sacrifice a horse To bear to happy hunting-grounds the corse. Our friends expire --we make the money fly In hope their souls will chase it to the sky. --Jex Wopley