Ambrose Gwinett Bierce
Ambrose Gwinett Bierce
Ambrose Gwinnett Biercewas an American editorialist, journalist, short story writer, fabulist, and satirist. He wrote the short story "An Occurrence at Owl Creek Bridge" and compiled a satirical lexicon, The Devil's Dictionary. His vehemence as a critic, his motto "Nothing matters", and the sardonic view of human nature that informed his work, all earned him the nickname "Bitter Bierce"...
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LAUREATE, adj. Crowned with leaves of the laurel. In England the Poet Laureate is an officer of the sovereign's court, acting as dancing skeleton at every royal feast and singing-mute at every royal funeral. Of all incumbents of that high office, Robert Southey had the most notable knack at drugging the Samson of public joy and cutting his hair to the quick; and he had an artistic color-sense which enabled him so to blacken a public grief as to give it the aspect of a national crime.
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RAMSHACKLE, adj. Pertaining to a certain order of architecture, otherwise known as the Normal American. Most of the public buildings of the United States are of the Ramshackle order, though some of our earlier architects preferred the Ironic. Recent additions to the White House in Washington are Theo-Doric, the ecclesiastic order of the Dorians. They are exceedingly fine and cost one hundred dollars a brick.
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RESTITUTIONS, n. The founding or endowing of universities and public libraries by gift or bequest.
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HALF, n. One of two equal parts into which a thing may be divided, or considered as divided. In the fourteenth century a heated discussion arose among theologists and philosophers as to whether Omniscience could part an object into three halves; and the pious Father Aldrovinus publicly prayed in the cathedral at Rouen that God would demonstrate the affirmative of the proposition in some signal and unmistakable way, and particularly (if it should please Him) upon the body of that hardy blasphemer, Manutius Procinus, who maintained the negative. Procinus, however, was spared to die of the bite of a viper.
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HEMP, n. A plant from whose fibrous bark is made an article of neckwear which is frequently put on after public speaking in the open air and prevents the wearer from taking cold.
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FREEMASONS, n. An order with secret rites, grotesque ceremonies and fantastic costumes, which, originating in the reign of Charles II, among working artisans of London, has been joined successively by the dead of past centuries in unbroken retrogression until now it embraces all the generations of man on the hither side of Adam and is drumming up distinguished recruits among the pre-Creational inhabitants of Chaos and Formless Void. The order was founded at different times by Charlemagne, Julius Caesar, Cyrus, Solomon, Zoroaster, Confucious, Thothmes, and Buddha. Its emblems and symbols have been found in the Catacombs of Paris and Rome, on the stones of the Parthenon and the Chinese Great Wall, among the temples of Karnak and Palmyra and in the Egyptian Pyramids --always by a Freemason.
violin
CREMONA, n. A high-priced violin made in Connecticut.
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MONOSYLLABIC, adj. Composed of words of one syllable, for literary babes who never tire of testifying their delight in the vapid compound by appropriate googoogling. The words are commonly Saxon --that is to say, words of a barbarous people destitute of ideas and incapable of any but the most elementary sentiments and emotions.The man who writes in Saxon Is the man to use an ax on --Judibras
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FOREFINGER, n. The finger commonly used in pointing out two malefactors.
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DEAD, adj.Done with the work of breathing; done With all the world; the mad race run Though to the end; the golden goal Attained and found to be a hole! --Squatol Johnes
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ALIEN, n. An American sovereign in his probationary state.
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An inventor is a person who makes an ingenious arrangement of wheels, levers and springs, and believes it civilization.
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EPICURE, n. An opponent of Epicurus, an abstemious philosopher who, holding that pleasure should be the chief aim of man, wasted no time in gratification from the senses.
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SATYR, n. One of the few characters of the Grecian mythology accorded recognition in the Hebrew. (Leviticus, xvii, 7.) The satyr was at first a member of the dissolute community acknowledging a loose allegiance with Dionysius, but underwent many transformations and improvements. Not infrequently he is confounded with the faun, a later and decenter creation of the Romans, who was less like a man and more like a goat.