Barbara Kingsolver
Barbara Kingsolver
Barbara Kingsolveris an American novelist, essayist and poet. She was raised in rural Kentucky and lived briefly in the Congo in her early childhood. Kingsolver earned degrees in biology at DePauw University and the University of Arizona and worked as a freelance writer before she began writing novels. Her widely known works include The Poisonwood Bible, the tale of a missionary family in the Congo, and Animal, Vegetable, Miracle, a non-fiction account of her family's attempts to eat locally...
NationalityAmerican
ProfessionNovelist
Date of Birth8 April 1955
CountryUnited States of America
I write every moment that is humanly possible. I write every day and every night. The only discipline I lack is the discipline is to quit.
I know I have to write about the things that keep me awake at night.
If you're writing, you're a writer. If you're talking about it or thinking about it, I'm not so sure. Writing is ninety-eight percent work and two percent magic.
Pay attention to your passions. They are the key to starting and finishing the book you are meant to write. I don't believe in talent. I believe in passion.
Silence has many advantages…I write and draw in my notebook and I read anything I please.
This manuscript of yours that has just come back from another editor is a precious package. Don't consider it rejected. Consider that you've addressed it 'to the editor who can appreciate my work' and it has simply come back stamped 'Not at this address'. Just keep looking for the right address.
It takes some courage to write fiction about politically controversial topics. The dread is you'll be labeled a political writer.
I never think that anything I'm writing is bluntly political in any way. I'm not going for commentary.
I know I'm a rare person, a trained scientist who writes fiction, because so few contemporary novelists engage with science.
I'm widest awake as a writer doing something new, engaged in a process I'm not sure I can finish, generating at the edge of my powers. Some people bungee jump; I write.
Write a nonfiction book, and be prepared for the legion of readers who are going to doubt your fact. But write a novel, and get ready for the world to assume every word is true.
The artist deals with what cannot be said in words. The novelist says in words what cannot be said in words.
The writing has been on the wall for some years now, but we are a nation illiterate in the language of the wall. The writing just gets bigger. Something will eventually bring down the charming, infuriating naïveté of Americans that allows us our blithe consumption and cheerful ignorance of the secret ugliness that bring us whatever we want.