Tom Stoppard
Tom Stoppard
Sir Tom Stoppard OM CBE FRSLis a British playwright and screenwriter, knighted in 1997. He has written prolifically for TV, radio, film and stage, finding prominence with plays such as Arcadia, The Coast of Utopia, Every Good Boy Deserves Favour, Professional Foul, The Real Thing, and Rosencrantz and Guildenstern Are Dead. He co-wrote the screenplays for Brazil, The Russia House, and Shakespeare in Love, and has received one Academy Award and four Tony Awards. Themes of human rights, censorship and...
NationalityEnglish
ProfessionPlaywright
Date of Birth3 July 1937
CityZlin, Czech Republic
I think I give the impression of being a romantic, and I think inside I'm quite severe. But some might say they had the opposite impression of me.
The possibilities are infinite with new writing; every time you open a new script, there's no limit to what it might contain.
The idea that anybody might be allowed to use their common sense when clearly no harm is being done is part of history now.
Rosencrantz: We might as well be dead. Do you think death could possibly be a boat? Guildenstern: No, no, no... Death is...not. Death isn't. You take my meaning. Death is the ultimate negative. Not-being. You can't not-be on a boat. Rosencrantz: I've frequently not been on boats. Guildenstern: No, no, no--what you've been is not on boats.
I seem to be failing in my intention to be as boring as I possibly can be for self-protection.
When I was 20, the idea of having a play on anywhere was just beyond my dreams.
I think probably I've been influenced by Chekhov and Walt Disney, if you see what I mean.
To be in love with Debo Devonshire is hardly a distinction.
There are many, many more small theater spaces than there were when I was starting out.
With plays that require any kind of reading program, I'm reading for a couple of years before using the material.
You don't often get a proposal to do Tolstoy for a really interesting director - that's easy to say yes to.
I don't want to come over as some boringly self-deprecating person. But I don't see myself as a groundbreaking writer in the way plays are structured.
In the end, my children put me on to Pink Floyd when they were teenagers.
There are certain sorts of jokes which have only to do with the substitution of the unexpected word in a familiar context. If you translated something into French and then had it translated back into English by somebody who didn't know the original, you'd lose what was funny.