Curtis Hanson
Curtis Hanson
Curtis Lee Hansonis an American film director, film producer and screenwriter. His directing work includes the psychological thriller The Hand That Rocks the Cradle, the neo-noir crime film L.A. Confidential, the comedy Wonder Boys, the hip hop drama 8 Mile, and the romantic comedy-drama In Her Shoes...
NationalityAmerican
ProfessionDirector
Date of Birth24 March 1945
CityReno, NV
CountryUnited States of America
couple writing attention
I wrote a couple of scripts on spec that didn't get made but got some attention, and I then got offers to write professionally.
sweet horror
I also got to know Roger Corman a bit while we were on location in Mendocino. And then, subsequently, a woman who also worked on The Dunwich Horror named Tamara Asseyev and I teamed up and co-produced a picture that I wrote and directed, called Sweet Kill, that Roger Corman's then-new company distributed.
struggle character independent
On the surface, Wonder Boys seemed like such a departure from L.A. Confidential - it's funny, it's contemporary, and so on - and yet at a certain point, I had a feeling that reminded me how I felt when I was shooting L.A. Confidential. I analyzed it for a while, and thought about how emotionally involved I was with the characters. Then I realized that in both movies, there are three main male characters and one female, and all of them are struggling to figure out what they're doing with their lives, independent of each other.
opportunity people
Put simply, there are many people who want to make movies and very few opportunities for them to do it.
appear difference image interested theme versus
A theme that has always interested me is the difference between how thing appear and how they are. Image versus reality, etc.
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There was a long period of time when Sam Fuller had a lot of projects fall through and had a lot of difficulties getting a project off the ground. And I was able to observe him during that period, and see his incredible resiliency and courage as he faced this difficulty and just kept working.
school opportunity together
I did it [photojournalism] as something that was really rewarding to do, given the opportunity to express myself about something I cared about, and also to learn a lot by watching filmmakers I admired. In a sense, it was my film school. After doing it for a few years, I decided that the time had come to get it together and do some work of my own. So I stopped doing that and wrote some screenplays on speculation, because even though I wanted to direct, to direct you need a lot of money.
school
Consequently, their school [film-school ] was the school of life, and it was very much reflected in their work.
facts dresses scripts
You can dress it up, but it comes down to the fact that a movie is only as good as its script.
self-esteem issues female
Self-awareness and self-esteem. Those aren't female issues, those are human issues.
capture cast fictional game millions months order people poker pretending primarily side stars tables top trained watching weekly
With millions of people watching poker weekly on television, it was important to capture the authenticity of the game and its players. To that end, the poker tables in 'Lucky You' are primarily populated by poker players, not actors pretending to be poker players. Our stars trained for months in order to convincingly play side by side with top poker professionals cast in fictional roles.
beginning either hearing interested natural watching
What he had from the beginning is a natural charisma, ... a thing that makes you interested in watching him and hearing what comes out of his mouth. As frustrating as it is to all the wannabe actors out there, that's God-given. You either have it or you don't.
apply fact focus people relationships stories term women
The fact is that people have started to dismissively apply that term to stories that focus on women and their relationships,