Curtis Hanson
Curtis Hanson
Curtis Lee Hansonis an American film director, film producer and screenwriter. His directing work includes the psychological thriller The Hand That Rocks the Cradle, the neo-noir crime film L.A. Confidential, the comedy Wonder Boys, the hip hop drama 8 Mile, and the romantic comedy-drama In Her Shoes...
NationalityAmerican
ProfessionDirector
Date of Birth24 March 1945
CityReno, NV
CountryUnited States of America
people impossible ridiculous
As ridiculous as it is for anybody who knows how movies are made, there were people who actually wrote in reviews that this picture [Bad Influence] had been put out to capitalize on the scandal. Which, of course, would have been impossible.
people guy surprise
In L.A. Confidential, it was great to surprise the audience with Guy Pearce and Russell Crowe - two Australian actors that they didn't know at all - and let people discover them through the course of the film.
eye unique people
In terms of talking with my collaborators as they came onboard - Jeannine Oppewall, our production designer, Dante Spinotti, our cinematographer, and so forth - I said to them, "Let's pretend that this is a place like Honolulu. Let's ignore the fact that all these other movies have been made here for decades and try to come at it with a fresh eye, as if it were an exotic city that people aren't that familiar with. And let's present our own view of it, create a world that's unique to this movie [L.A Confidential].
opportunity people
Put simply, there are many people who want to make movies and very few opportunities for them to do it.
filmmaker journalist
I was a journalist and wrote about filmmakers, but I didn't review movies per se.
critics
I was never a critic.
chick diminishes flick insulting lit sort women
Chick flick or chick lit diminishes it and is sort of insulting to women and men,
falling-in-love weekend thinking
The bigger problem still is that it determines in many ways what movies get made in the first place. Because as sources of finance are considering a project, they ask themselves, "Does this lend itself to a simplistic marketing approach which will guarantee a big opening weekend?" As a movie-goer, I think that's tragic, because when you look back at those movies that made us fall in love with movies in the first place, most of them were not high-concept, and most of them would not have "won their weekend."
successful giving circumstances
Consequently, it's so gratifying to then make a picture that's successful and gives you leverage to have better circumstances than you've ever had, before the next time out.
unique film extraordinary
First of all, Sam Fuller left a group of extraordinary movies that are unique, that are "Fuller-esque," as one might say, which makes them stand apart from any other director's films.
unhappy ridiculous influence
Bad Influence, which is an early movie of mine that I'm very fond of. It was an unhappy experience when that picture got released, because it coincided with that ridiculous Rob Lowe videotape scandal.
unique thinking
It was a unique experience in several ways, because I don't think Sam [Fuller] had ever collaborated with another writer over his whole career.
taken unhappy nightmare
I had a checkered early career, for sure, with a lot of very unhappy experiences where pictures got taken away, re-cut, re-titled... all the nightmares one hears about.
brought third time toronto
This is the third time I've brought a movie to the Toronto festival,