Curtis Hanson
Curtis Hanson
Curtis Lee Hansonis an American film director, film producer and screenwriter. His directing work includes the psychological thriller The Hand That Rocks the Cradle, the neo-noir crime film L.A. Confidential, the comedy Wonder Boys, the hip hop drama 8 Mile, and the romantic comedy-drama In Her Shoes...
NationalityAmerican
ProfessionDirector
Date of Birth24 March 1945
CityReno, NV
CountryUnited States of America
night office long
Of course, Sam [Fuller] was like, "No problem," because he treated it like a newspaper deadline. We worked long hours, often very late into the night, in his garage, which had been converted into an office. It was freezing cold outside and there was no heat in the garage, so he had a little space heater over by his side and I had a blanket that he graciously gave me to drape around my shoulders like a Navajo Indian. And he gave me cigars, too, of course.
long storytelling audience
Even though L.A Confidential box-office was a fraction of, say, Titanic or the Grinch movie, it finds its audience and will continue doing so for who knows how long, because of the basic thing we love about movies, which is storytelling and performances.
fall long incredibles
There was a long period of time when Sam Fuller had a lot of projects fall through and had a lot of difficulties getting a project off the ground. And I was able to observe him during that period, and see his incredible resiliency and courage as he faced this difficulty and just kept working.
filmmaker journalist
I was a journalist and wrote about filmmakers, but I didn't review movies per se.
critics
I was never a critic.
chick diminishes flick insulting lit sort women
Chick flick or chick lit diminishes it and is sort of insulting to women and men,
falling-in-love weekend thinking
The bigger problem still is that it determines in many ways what movies get made in the first place. Because as sources of finance are considering a project, they ask themselves, "Does this lend itself to a simplistic marketing approach which will guarantee a big opening weekend?" As a movie-goer, I think that's tragic, because when you look back at those movies that made us fall in love with movies in the first place, most of them were not high-concept, and most of them would not have "won their weekend."
successful giving circumstances
Consequently, it's so gratifying to then make a picture that's successful and gives you leverage to have better circumstances than you've ever had, before the next time out.
unique film extraordinary
First of all, Sam Fuller left a group of extraordinary movies that are unique, that are "Fuller-esque," as one might say, which makes them stand apart from any other director's films.
unhappy ridiculous influence
Bad Influence, which is an early movie of mine that I'm very fond of. It was an unhappy experience when that picture got released, because it coincided with that ridiculous Rob Lowe videotape scandal.
unique thinking
It was a unique experience in several ways, because I don't think Sam [Fuller] had ever collaborated with another writer over his whole career.
taken unhappy nightmare
I had a checkered early career, for sure, with a lot of very unhappy experiences where pictures got taken away, re-cut, re-titled... all the nightmares one hears about.
brought third time toronto
This is the third time I've brought a movie to the Toronto festival,
grew los
I grew up in Los Angeles, and I always wanted to make a movie about Los Angeles.