Curtis Hanson
Curtis Hanson
Curtis Lee Hansonis an American film director, film producer and screenwriter. His directing work includes the psychological thriller The Hand That Rocks the Cradle, the neo-noir crime film L.A. Confidential, the comedy Wonder Boys, the hip hop drama 8 Mile, and the romantic comedy-drama In Her Shoes...
NationalityAmerican
ProfessionDirector
Date of Birth24 March 1945
CityReno, NV
CountryUnited States of America
Curtis Hanson quotes about
opportunity people
Put simply, there are many people who want to make movies and very few opportunities for them to do it.
school opportunity together
I did it [photojournalism] as something that was really rewarding to do, given the opportunity to express myself about something I cared about, and also to learn a lot by watching filmmakers I admired. In a sense, it was my film school. After doing it for a few years, I decided that the time had come to get it together and do some work of my own. So I stopped doing that and wrote some screenplays on speculation, because even though I wanted to direct, to direct you need a lot of money.
book character opportunity
The challenge was the opportunity. When I read the first draft of Steve Kloves' fabulous adaptation - I hadn't read [Michael] Chabon's book at that time - what I was immediately captivated by was this group of characters that were at once so engaging and so messed up.
challenge excited life shirley therefore took
I think Shirley took it as a challenge and therefore was excited by it, because I think that's what makes her life exciting,
emotion emotions feminine
Why does something that has emotion in it have to be the feminine product?
taken unhappy nightmare
I had a checkered early career, for sure, with a lot of very unhappy experiences where pictures got taken away, re-cut, re-titled... all the nightmares one hears about.
unique film extraordinary
First of all, Sam Fuller left a group of extraordinary movies that are unique, that are "Fuller-esque," as one might say, which makes them stand apart from any other director's films.
important legacy he-left-me
On a personal note, a legacy he left me, aside from being a friend who was important to me on many levels, was that the decades I knew Sam [Fuller] happened to be the decades that were his least happy professionally.
filmmaker journalist
I was a journalist and wrote about filmmakers, but I didn't review movies per se.
critics
I was never a critic.
fall long incredibles
There was a long period of time when Sam Fuller had a lot of projects fall through and had a lot of difficulties getting a project off the ground. And I was able to observe him during that period, and see his incredible resiliency and courage as he faced this difficulty and just kept working.
lovers storyteller
I make that distinction only because I came to it strictly as someone who was just a lover of storytellers and cinematic storytellers.
speak term
I can't speak to how Michael [Douglas] approached it in terms of his process.
thinking surprise surprise-me
When I'm casting a picture, I think who I'd like to see in it if I was sitting in a theater. Who would surprise me?