Curtis Hanson
Curtis Hanson
Curtis Lee Hansonis an American film director, film producer and screenwriter. His directing work includes the psychological thriller The Hand That Rocks the Cradle, the neo-noir crime film L.A. Confidential, the comedy Wonder Boys, the hip hop drama 8 Mile, and the romantic comedy-drama In Her Shoes...
NationalityAmerican
ProfessionDirector
Date of Birth24 March 1945
CityReno, NV
CountryUnited States of America
chick diminishes flick insulting lit sort women
Chick flick or chick lit diminishes it and is sort of insulting to women and men,
ask blossom character dealing fear hiding insulting life literally meet powerful quiet rich shirley talk unresolved
When you're dealing with someone like Shirley, it's a little insulting to ask her to come in for a meeting. But I wanted to meet her first and talk to her about the character, because there was a very big 'if' on it for me. Shirley is such a powerful presence, personality and talent, and she has used that power effectively over a long and rich career. But I wanted to know she would be able to put a damper on all of that and go to a very quiet place to play this character who is literally hiding from life, who has put a lid on everything because of her guilt, her fear and her unresolved issues. If Shirley could go to that kind of a place, and then blossom as her character's life broadens, I thought it would be very exciting.
challenge excited life shirley therefore took
I think Shirley took it as a challenge and therefore was excited by it, because I think that's what makes her life exciting,
emotion emotions feminine
Why does something that has emotion in it have to be the feminine product?
opportunity people
Put simply, there are many people who want to make movies and very few opportunities for them to do it.
taken unhappy nightmare
I had a checkered early career, for sure, with a lot of very unhappy experiences where pictures got taken away, re-cut, re-titled... all the nightmares one hears about.
unique film extraordinary
First of all, Sam Fuller left a group of extraordinary movies that are unique, that are "Fuller-esque," as one might say, which makes them stand apart from any other director's films.
important legacy he-left-me
On a personal note, a legacy he left me, aside from being a friend who was important to me on many levels, was that the decades I knew Sam [Fuller] happened to be the decades that were his least happy professionally.
That love of movies is very much alive in me.
filmmaker journalist
I was a journalist and wrote about filmmakers, but I didn't review movies per se.
critics
I was never a critic.
fall long incredibles
There was a long period of time when Sam Fuller had a lot of projects fall through and had a lot of difficulties getting a project off the ground. And I was able to observe him during that period, and see his incredible resiliency and courage as he faced this difficulty and just kept working.
His [Sam Fuller] self-discipline was amazing. No matter what happened, he'd always go out to his Royal Upright typewriter and just keep working on his stories, his "yarns" as he called them.
lovers storyteller
I make that distinction only because I came to it strictly as someone who was just a lover of storytellers and cinematic storytellers.